F A T E
UNKNOWN ENTITY
ADMIN ACCOUNT
ANCIENT POWERS
Posts: 295
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Post by F A T E on Sept 3, 2013 16:04:22 GMT -8
| | | The Stroke of a Master’s Brush
Event Unlocked, first come, first serve basis. One spot is currently reserved for BUBBLES. For everyone else, you must post in character to this thread, and by the end of your post be sure to have selected only one of the five ticket numbers provided below (this also means that only a maximum of 5 characters(counting bubbles) will be able to participate). This event is also open to Civilians/Claimed/Identified/or Awakened characters. Once you’ve selected one of the ticket numbers, you will receive a PM with important information regarding the tasks you are meant to complete during the event. It is important to remember that even if characters do not complete their required tasks, they are scored much more heavily upon how well they stayed IC and how they developed IC throughout the duration of the event. It is often in your best interest to use discretion for this event and keep your assigned tasks to yourself; the possibility for conflict with another character’s task might interfere with your character’s ability to complete their own, which could, in turn, affect anything IC and the scoring at the end of the event. Have fun, and good luck. Obviously the main goal of this event lies in survival; characters will be in full control of what happens. Monsters controlled by Fate are prevalent and difficult to subdue because of the circumstances surrounding their creation. The date is May 16th, the weather is Cloudy with a gentle breeze. The time of day would be around Noon on a Saturday. There's a man standing at the door of the art gallery, handing out tickets, these tickets are free and have the chance of someone winning an unknown prize. To get a ticket each person is required to reach into a bowl (while IC) and pull one of these numbers out: 50, 235, 101, 37, 193, then they may enter the gallery. Each ticket can only be picked once, no one else gets that ticket after it's picked. Also the reason there is such a turnout today is because there's a popular, famous artist there for a live demonstration, though characters should feel free to browse the art gallery at will. Tickets that can be pickedTicket 50, Ticket 235, Ticket 101, Ticket 37, Ticket 193. (Mention IC what ticket number your character picks.)
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Post by LUCIEN MARGAUX on Sept 3, 2013 16:40:52 GMT -8
tagged: event. time: may 16th, noon. notes: notes. Lucien liked being out on the town. Most people liked going out and exploring new places, but for Lucien it took on a whole new light. He'd spent most of the past two years cooped up, unable to explore, and now that he finally had free reign, he was going for it. There was no holding him back--no way. He'd picked his way through downtown Los Angeles over several days, exploring the nooks and crannies of the wealthier areas. There was no way he was going to explore the shadier ones, but art galleries and museums? They were fair game. For the first time in weeks, however, he was without a guard. It was more mistake then anything--the guard was sick. He'd been supposed to escort Lucien out to the gallery, but he'd taken ill, and there were very few people that Kun Shui would trust with it. Instead, he'd been given his phone, and Kun Shui had opted to come with him. A few hours in an art gallery would be a nice respite from the business of work.
Most people found them dry or boring, but Lucien was from France, and visiting galleries was practically a national past time for the wealthy. He'd initially come prepared to pay, to spend a slow and lazy day in the gallery. He'd figured they'd spend a few hours there, and then eat dinner in the city, but a promotion to get in free to the gallery threw a wrench into the works.
He wasn't quite sure how much he liked the idea of being in the gallery when it was crowded with free patrons, but he supposed it was worth it anyway. His left hand was still in a splint to protect his horribly damaged pinky, so he dipped his right hand in, retrieving a paper. He held it up, squinting at the number 101 before realizing he really didn't know what it meant--was that a winner? A loser? Something else entirely? With a vague sigh he shoved the paper in his pocket, straightening his dress shirt before heading in.
The gallery had better be good.
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Post by KUN SHUI WEI on Sept 3, 2013 16:53:10 GMT -8
tagged: Event time: May 16. Noon. speech: kun shui. notes: - - - Art usually didn’t appeal to him. Art galas and gallery openings were usually met with a faint sigh and a strained smile on his part, and then most of the time, he’d give his ticket to Jun Shi and they’d do a nice little switch for the day. Jun Shi was the family’s resident artist, and he loved all things painting. He was quite a talented sketcher himself… though nobody seemed to notice, unfortunately. He was rather afraid that the displeasure towards Jun Shi’s only talent by his family would one day backfire on him.
So that day, when the event at the art gallery was opening and Lucien seemed interested in going, he’d told a guard to bring him. That morning, the guard had called in sick; some sort of food poisoning or another. Kun Shui had a mild headache, and of course he didn’t want to go, but the guard was the only one immediately available and he was absolutely not letting Lucien go alone. Not after the last incident involving the maid café. And then there was the cellphone after that…
Yeah, he wasn’t leaving home alone.
So he’d gone along with him, despite the slowly pounding headache that he’d emptied a half a bottle of Advil over with little results. Upon arriving, though, he was asked to take a number out of a bowl… Odd. A raffle, maybe?
Ticket 235. Alright… Well, he stared down at the paper for a second, and then neatly folded it before putting it on his pocket and walked up closer to Lucien. He needed to stay near him, after all. Out of habit, Kun Shui patted his side, and to onlookers it probably just seemed like he had an itch. In reality, he was checking if his firearm was still there, strapped underneath his belt. He never went anywhere without being armed, after all. Who the hell knew what would happen.
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Post by EMMELINE EVANS on Sept 4, 2013 12:50:14 GMT -8
| rabbit - hearted I look around, but I can't find you If only I could see your face Instead of rushing towards the skyline I wish that I could just be brave I must become a lion hearted girl Ready for a fight Before I make the final sacrifice We raise it up, this offering We raise it up This is a gift, it comes with a price Who is the lamb and who is the knife? Midas is king and he holds me so tight And turns me to gold in the sunlight And in the spring I shed my skin And it blows away with the changing wind The ---- Everything was too bright normally. She was used to being inside, used to the curtains drawn and her desk lamp giving her the only light. Today it seemed okay, though. The clouds were coving the sun, she didn’t feel so overwhelmed by the bright California lightning, and it wasn’t even that hot—a nice breeze was keeping her cool, but not too cool—she was prone to being either way too hot or freezing cold, but the breeze mixed with the natural California temperature was making her nice and comfortable.
Emmeline hadn’t even wanted to go out in the first place, but it was part of her therapy. She had to leave the house at least three times a week, either to help with errands or to try to be social—try to get her spirits up. She and her parents had both voted against heavy medication, though she still needed to take a couple pills a day just to take the edge off and to help relax her.
A famous artist was supposed to be out doing public stuff. She had read an article about it online, and though she didn’t follow the artist religiously, they had some nice work. Emmeline liked art, so why not? She could go browse, stare at the pieces of artwork—maybe she would even manage to feel good about something—though chances were she would just see the art and realize that she didn’t have any talents or skills and she was going to die a pointless death without ever doing anything with her life because she’s just a great big worthless idiot.
Well. Best not think about it now.
Her father dropped her off at his office and she walked the rest of the way to the exhibit. She was supposed to be exercising more, as per her physicians request, so he had opted not to take her there immediately. Her dad had to work earlier than the exhibit started anyway, so she would have to just wait around. She might as well get a bit of a walk in there.
She was tired and slightly breathless when she finally arrived, and she blanched at the turnout. So many people—maybe this wasn’t such a good idea. Emmeline fretted for several seconds, hanging out like a creeper at the edge of the crowd, waiting for them to disperse. She wanted to see the art, but she hadn’t thought there would be this many people—though it should have been expected. California was filled with those artsy types.
It seemed they were mostly gathered around some dude standing outside. He had a bowl of slips of paper, and people were reaching in to take some. Emmeline swallowed her fear and just waited for the majority of the crowd to go inside before she even thought about approaching. Maybe it wouldn’t be so crowded inside. It was a free event, though. . . if there was one thing people liked more than art, it was free stuff. It was why she had bothered to come at all—no need to pay.
Nervously, she flashed the man with the bowl a smile without meeting his gaze and then dipped a shaky right hand into it. She spun her hand around a couple times before pulling out a paper. She unfolded it slowly and looked at it—all it had was a number on it: 193. She was about to look up to ask what that meant, but she was shoved inside by impatient patrons.
With a light squeak, she flitted to the side and stood by an empty wall. Oh she wished she could have gotten her mom to come with her, but she had to work, too. Her brother had other things to do, as well, so she was here alone, feeling like a loser and an idiot.
If only she had some friends. Maybe Gabi or Hayden would have come if she asked. . . .
No, no they probably thought she was a loser, too.
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Lucien + kun • 673 • May 16, 2013 • THANKS ♥
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Post by CANIS MINOR on Sept 4, 2013 12:52:39 GMT -8
Canis dragged himself down the sidewalk, taking conscious effort to place one foot in front of the other. His hands sucked in the comfort of his pockets, clenched into fists—a habit he’d picked up.
“Excuse me,” said a woman, pushing past the sullen boy. If it had happened a month ago, Canis would’ve been reprimanding the woman for her clumsiness, but the Canis then could only bring himself to glance at her, watching her snatch something from a bowl a man was holding and hurry into a building.
The young boy, without a thought, sauntered over to the man and peered inside with eyes narrowed by skepticism. It was filled to the brim. He picked up a ticket at the top of the bowl with two fingers, looking it over as his legs carried him toward the building. Finding nothing worthy of his attention, he dropped the ticket and put his hands back in his pocket.
Just as he was about to enter, the man at the door placed a gentle hand on his shoulder. Canis turned around.
“You forgot your ticket,” he said with a smile, holding up the ticket that he just dropped.
“Oh. Right. Thanks,” Canis said, arching his brows and taking the ticket from his hands. Oh well. He took another look to see if it really was the same ticket that he dropped.
Yup. Ticket 37.
(OOC: A bit sloppy, but I spot have I must. ene)
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KYOKO SHIOMI
Civilian
LAPD OFFICER
When did a large, monstrous dog start following me?
Posts: 111
MINI INFO - GENDER: Female
MINI INFO - D.O.B.: 23 AUGUST 1985
MINI INFO - OCCUPATION: LAPD OFFICER
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Post by KYOKO SHIOMI on Sept 7, 2013 12:32:09 GMT -8
To be honest, Kyoko wasn't sure why she was here. She had seen a flyer for the event, thought it was interesting for maybe two seconds before not giving it another thought. Art wasn't really much her thing, and yet here she was. Well, it wasn't as though she had anything really interesting to do today, so here she was. Maybe it would be fun. There was a huge artist of some sort that she didn't remember the name of, so maybe the daymight be interesting.
And art was nice to look at, she guessed, and it was an art gallery so what better way to spend a day but here? If she was bored she could always leave. Still, she wondered if it was a good idea to go just by herself before deciding to screw everything, might as well.
She saw familiar looking boy, anyways. In fact, if she remembered, it was the boy with the mouth back frim the beginning of the month. Kyoko was going to approach him before figuring that was probably not the best of ideas. Surely if she was him, she would not be happy to be reminded of something as gruesome as that event had been. Or rather, he'd probably not be happy to see anyone in the police in general. But she was off duty, so no problem, right?
Plus, she wanted to ask if he was alright. She near charged into the gallery with this intention before being held back tentatively, a signal from the man to grab a ticket. "Oh, I'm sorry." She grabbed a ticket from the bowl, not really sure about it nor really taking a look at it, either. Ticket 50, she thought it said. "Thank you."
Now, where was the boy? Kyoko promised herself, she'll just say hi, ask if he was alright, and then go look at some... Fine art, or something. Muse at a painting trying to discover the true meaning of the work. Or, whatever people usually did at galleries like this.
[sorry it was late, forgive me pls]
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EVENTS
UNKNOWN ENTITY
Reasons Have No Meaning
Posts: 51
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Post by EVENTS on Sept 7, 2013 13:57:23 GMT -8
| | | The Stroke of a Master’s Brush
The composition was ready; each line meticulously placed, sometimes erased, for hours on end until he found the exact angle it needed to be. In his mind’s eye, he had already selected the colors he would work with too, but it would still take time to finish and balance the lights and darks so that even upside down or twisted sideways, his piece would still be interesting, his lines would still catch the viewer’s eye and move them through the painting. He wanted his art to breathe, really, to show a spark of life—and this composition had haunted him for far longer than it should have. The artist—Miguel DeTorres—glanced over his shoulder at the many guests in the art gallery. Quite a few crowded the borders of his cordoned off area so that they could watch him work, while others caroused the pieces that were already on display. He had a thing, a sort of theme, that threaded its way through each of his pieces: the dark urban jungle and the monsters that lurked in its belly. DeTorres had a great eye for movement in a piece, for making it seem as if those open mawed, grotesque creatures peeking around street corners or peering down from rooftops driveled saliva or bubbled with froth around their teeth. Eyes almost seemed to swivel toward and pierce their viewers, caught in a flicker of terrifying life. He had everything here—fascinations and abominations alike that clawed their ways from the canal depths of the cities or smiled rows of pointed teeth under the cover of cars or sewer grates. Then of course there were the ordinary looking pieces—paintings or charcoal works of seemingly normal men and women that drove you mad attempting to figure out what was “wrong” with them. What had he done to make them fit in with all this unsettling depictions of the modern monster? Oh, there was something. A niggling at the back of the mind that something was wrong with these “ordinary” people, but what? He smiled. Let them figure it out. “Mr. DeTorres, are you ready?” “Yes,” he said. A pair of yellow tinted glasses rested on the bridge of his nose as he reached for his materials, paintbrush poised. One quick flick of his brown eyes to the clock confirmed the time before he began, tuning out the world around him. To his guests, it would seem as if that typical, artist’s glassiness entered his eyes as he started working. Sometimes his dark hair would get in the way and he’d jerk his head to remove it, but otherwise all was mostly still, his fingers the only exception. At least the guests would be comfortable. Two floors of the art gallery were dedicated to his work; he was on the second, but there were food and refreshments on both levels, many people to talk to and a lot of art to look over, buy or place bids on. And of course, they could always join the crowd watching his progress if need be. It rumbled. A pulse of energy, a thread of malevolent power. A blot of ugliness in the atmosphere, but so faint only the trained eye could see or feel the tension it imposed. What an ancient entity, to have cultivated so much molten wrath in its still-beating heart, a hidden gem amongst this unfeeling, man-made jungle. It was locked away though, beating on its unexpected prison walls and shrieking vengeance as the world turned and time ticked forever on and on. Interesting, how the living slogged about, unaware they were close to something so dangerous, so bitter. No matter, the entity whispered. It had been forgotten yes, but not lost, and perhaps its prison had served a greater purpose. After so many years of waiting, its power had spilled over, rippling, reaching. It simply needed a tiny push to crack the remaining, impertinent shell. Ah, but if weeds could break through concrete, it would surely crack the walls of this infernal cage. Just a little push. A little help. That was all it needed. Thankfully, something heard, something noticed. Thus a universal truth: Ask, and you shall receive.Brace yourself. One more round of mingling, then the slaughter personal tasks begin. Stay tuned to your PMs next round.
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Post by LUCIEN MARGAUX on Sept 7, 2013 16:42:58 GMT -8
tagged: event. time: may 6th, noon. notes: notes. When everything was taken into account, Lucien didn't actually even like art. Art held no particular draw for him, and while he could appreciate the look of good pieces (and not at all the more modern ones), he didn't feel any particular need to actually look at art. His draw to the gallery was one of nostalgia--he'd grown up looking at art because it was something his parents had done, and it had simply become a habit. Go to the gallery, see any new pieces, have a bite out to eat at a high end cafe... it was nothing special at all to him when he was growing up. Even if it had been literal years since he'd last been to a gallery, there was still a certain amount of nostalgia, a vague longing for a life he'd long ago lost. To say that he'd abandoned it would be incorrect, as that life had been particularly violently ripped from him.
He went to galleries for the experience of the gallery, not the art, but that wasn't to say he wasn't going to at least look at it. He drifted along the right wall from the entrance, eyeing each painting as he passed. Most of it was dedicated to a single artist, and most of it followed a particularly obvious theme. Monsters dotted almost all of his work, and he was six paintings down when he paused, staring at the latest piece. It was another by the same artist, Miguel Detorres, but that piece, and that piece alone, seemed to break the theme. There was no monster, just a person in profile. They were normal, and the theme was broken so completely and utterly that Lucien let out a little sigh.
He shifted, ignoring the rest of the patrons and focusing instead on Kun Shui. He was his companion after all, his guard for the day, and at the same time was also his conversation partner. Almost every conversation he had was either with Kun Shui or involved him, and this one was no different.
"I was thinking that every painting had a monster in it, but then this one... I suppose it's some fancy artist commentary about how we're all monsters on the inside, no different from ones with fangs and claws." He mused aloud, his French accent almost indistinguishable after years of mixing with him speaking Cantonese. For the moment at least, he'd opted to speak in English. He'd always hated when people spoke in a foreign language around others, and it had always come off as horribly rude. He strived not to do so without a reason at the very least, and for the moment, there was no reason.
He could at least understand the point the artist was making, or at least the point he believed the artist was. People were monsters, perhaps him most of all.
Well, second of all. Jun Shi had certainly outstripped him at that. He had never violently broken someone's finger for the sole purpose of watching their pain, and the very thought of it now was making his pinkie twinge in it's splint.
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Post by KUN SHUI WEI on Sept 8, 2013 15:22:55 GMT -8
tagged: Event time: May 16. Noon. speech: kun shui. notes: - - - Upon entering, Kun Shui was immediately meet by walls and walls of the current exhibit. Someone by the name of Miguel Detorres had an apparent fascination with monsters, fang and teeth and claws peeking out from various shades and shadows. How odd, but how telling. Monsters always had a certain degree of appeal to him, despite the childishness of the whole idea. Jun Shi also always had a fascination, and his sketchbook was full of them. Hell, he had a pile of sketchbooks built up over the past couple of years purely for monsters.
For the time being, glancing back and forth, he followed Lucien down a long hall until they stopped at one particular painting… a person, profile view. Very regular, very nonchalant and a stark contrast from the shadowy figures and glowing eyes of the rest. Lucien seemed to have something to say about it, at least, though Kun Shui personally couldn’t care too much.
Still, from early on, art was considered a high class activity, and viewings meant he had to comment. He was properly trained to pull things out of his ass when needed, so he nodded.
”I suppose so…” He muttered, then paused. ”Hits a little too close to home, don’t you think?”
Despite being a rather groomed businessman on one side, he was still very keenly aware of the workings of the triads. The Wei family was a little unconventional, focusing more on family than on good business and elections when it came to the next dragon head. Most of them had votes when the previous dragon head stepped down, to see who’d take over. It was all very formal and businesslike, but for the Wei family, they decided sticking closer to home would be best. Clean cut or not, they still hand their hands dirty.
A family of monsters in suits and ties, indeed.
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Post by EMMELINE EVANS on Sept 9, 2013 9:41:06 GMT -8
| rabbit - hearted I look around, but I can't find you If only I could see your face Instead of rushing towards the skyline I wish that I could just be brave I must become a lion hearted girl Ready for a fight Before I make the final sacrifice We raise it up, this offering We raise it up This is a gift, it comes with a price Who is the lamb and who is the knife? Midas is king and he holds me so tight And turns me to gold in the sunlight And in the spring I shed my skin And it blows away with the changing wind The waters turn from blue to red As --- There were so many people. It seemed that they all came for the free stuff, too. Well of course. . . it’s not like she’d be the only poor person who wants to do something for free. But the crowd—it was overwhelming. Her eyes flit from person to person, automatically trying to recognize someone but of course she would never be able to. Not unless they spoke to her or called her by name. But who would be here that she knew? Not anyone, really. . . . She didn’t have any more friends.
Emmeline shook her head and took a deep breath. She was here for art, not to be social. She didn’t have anyone to be social with, anyway. The girl took a deep breath and pushed off from the wall to go see the exhibit. She kept her little ticket number close to her chest: she had heard people talk about it, there was some sort of prize involved.
She liked prizes. But like she would ever win anything.
Her time was spent mostly apologizing to strangers for various things—bumping into them, lingering too long at a particularly interesting painting with something hiding in the shadows, or for anything really. Maybe she accidentally looked at someone. That’s an apology.
Though she took the time to at least glance at each piece, making her way swiftly through the gallery to maybe get ahead of the crowd, she didn’t spend too much time studying each piece. Emmeline wasn’t really that good at art critique—she just wanted to see the pretty picture and move on. She lingered briefly, however, at a set of paintings that were just profiles of people. She briefly considered they were from an another artist, but a quick study of the art label told her otherwise.
Ah, well. Probably just family members.
The girl pushed on ahead and found herself in a section with a bunch of food. She sighed in relief—she hadn’t eaten anything all day. She lurked around the edges of the tables, waiting to see if people had to pay for the food, then slipped into the line and put a few dainty things on her plate—a sandwich, some fruit, and she grabbed a water bottle. Then she lingered a little bit longer, finishing her food before continuing on with the exhibit.
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Lucien + kun + Canis + Kyoko • 394 • May 16, 2013 • THANKS ♥
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Post by CANIS MINOR on Sept 9, 2013 15:28:04 GMT -8
It didn’t . . . feel right.
Canis’s head craned around the moving, murmuring bodies of people, his eyes flitting about, as if he was looking for something wrong. He couldn’t find anything—bar the grotesque theme of the whole art gallery—but he knew it was there.
A shiver crawled up his spine; chilling his bones and making him grit his teeth together.
Shaking his head, he made his way into the gallery with tentative steps. Soon, however, he relaxed, seeing the people mingling with smiles spread across their faces; others wore thoughtful masks, their eyes glazed over and lips parted just a smidgen.
Canis walked over to a refreshment table, running his hand across the white fabric draped over it, eyeing food and drink. He soon left the table with a finger sandwich crammed into his mouth and a glass of fruit punch in his left hand. Free food was to be taken advantage of.
He noticed the paintings. With his eyes narrowed, he contemplated the portraits, feeling something off. Perhaps it was the way the man’s eyes seemed to look right through him, or maybe it was the way the woman’s hair flowed around her hourglass figure. Either way, he wasn’t in any position to critique somebody else’s work, so he left the strange portraits, swerving around a charcoal-colored hand that jutted out of the white wall.
However, every step he took deeper into the gallery made him feel uneasy. He realized when he looked down, that the ticket the man at the door had given him was crumpled and damp inside his fist.
Sighing, he turned around on the balls of his feet, with the intent to walk right out the door with his belly a little bit fuller. However, before he could, his eyes landed on a certain person.
His stomach lurched horribly.
He walked up—he shouldn’t have—to the person, wanting to confirm his suspicions, ignoring the nagging thought at the back of his head to get out of the gallery. He shouldn’t have.
As soon as he registered the police officer’s face in his mind and matched it with the one who was at the incident, his mind pulled all stops.
White hair. A sickening thud.
“You . . . ,” he said, his voice trailing off, so quiet that only the police officer in front of him would be able to hear it. Eyes wide and expression half-crazed, he took a few steps hesitant steps backward. “You were at . . . the thing.” He choked on his words.
“No, go away, go away, go away. Go away.” His hands grabbed the sides of his head. He didn’t need any reminders. He wanted her to leave. He would’ve left, but his feet were rooted to the floor. He was paralyzed in fear. He didn't want the memories to come back. He willed them away from his mind.
But they were already flooding into him, like a great black wave coming down on him to swallow him up.
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KYOKO SHIOMI
Civilian
LAPD OFFICER
When did a large, monstrous dog start following me?
Posts: 111
MINI INFO - GENDER: Female
MINI INFO - D.O.B.: 23 AUGUST 1985
MINI INFO - OCCUPATION: LAPD OFFICER
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Post by KYOKO SHIOMI on Sept 10, 2013 21:43:07 GMT -8
She hadn't been paying too much attention to the actual artwork, a little bit more preoccupied with something else aside from it. But a few did manage to catch her eye, and the few that did disturbed the cop more than they actually should have. Well, it seemed to be the overlying subject of the paintings, and they were all disturbing in their every which way. But, if this was what people liked, who was she to judge? She thought them fairly interesting, sure, and maybe she would like them if they weren't so damn creepy.
Kyoko looked around to see that she had lost the boy. Oh well, it wasn't as though she were going to say anything important. It wasn't as though they had shared a lifethreatening moment going against killer undead rats and witnessing a young girl going into a coma. It wasn't as though they were fighting to the death against vermin, not at all. Really, she thought it would be okay to give the guy a sense of normality outside of an intense battlezone, but it just wasn't meant to be. Then again, maybe it was for the best. Maybe it was best to just pretend it didn't happen. So losing him from her sight was probably good, even though she'd probably be cordial to him either way.
Free food, however, caught her attention. Honestly, it was probably the best part of this gallery exhibition thing, mostly because at that moment she was hungry, and food was probably the most important thing on her mind at the moment. She didn't quite expect to run into the little guy (what was his name again? Canis, was it?) here, but then again, wasn't that the way they had technically met before? Down at the wine cellar because there was free food.
Kyoko didn't expect him to come up to her, nor did she quite expect the reaction he gave. Although she found it a little amusing, the more pressing concern was that he was making a scene, and that wasn't exactly a good thing. Actually, the way he made it sound, it seemed like she was at faukt for something. Which couldn't be farther from the truth. "You're right, I was at the thing, but do you really have to shout? Are you okay, I mean, after the thing. You didn't seem okay now, do you need something? I could leave right now, I guess, if you want, but I kind of want to get some food first."
It must have really impacted him hard. She didn't know the two young kids, but from what she had heard, well, the girl wasn't faring all that better than she was that fateful day. And she honestly had no one to blame but herself for overlooking her. "I'm sorry, okay? That you had to go through all that. Just wanted to tell you that."
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EVENTS
UNKNOWN ENTITY
Reasons Have No Meaning
Posts: 51
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Post by EVENTS on Sept 12, 2013 14:46:39 GMT -8
| | | The Stroke of a Master’s Brush
Drivel woke first, his bioluminescent, white eyes blinking quite suddenly at the world outside of his former playpen. Colors danced across his dark skin like the opalescent quality of an oil slick. He was a massive brute, with bulging, broad forearms that carried the bulk of his troglodyte-like weight. But he was quite simple minded too, and in the beginning he sniffed and snuffled, nostrils flaring wide, at all the sights and sounds outside of his painted, dark alleyway. He might have been tempted to stay there too, in spite of the calling of his master, uncertain of this new predicament and life he found himself in, if he had not seen the color red. A shiver rippled down his back, shaking even the elongated quills along his hunched back. The perpetual glow of his eyes brightened to an ethereal, ghostly shimmer. Reeeeed. RedredRedredRedred. Oh, he liked it. Drivel salivated at the sight of it, his drool dropping in curtains from his simian-like mouth and the tusks that jutted out of his lower jaw. He simply had to have it. All of it. Drivel slumped closer on the massive knuckles of his hands, slouching carefully. Slowly. He didn’t want to startle the creature wearing it until the last possible moment, when it would be too late to stop him. Good thing the human wasn’t even looking his way. Its back was turned, facing someone else, and thus, when he finally burst, roaring from the confines of his painting, he expected to pummel the creature into oblivion—to beat the color out of him if necessary because it was his. But Drivel did not expect to be caught in mid charge, his massive shape leaning halfway out of his painting, his thunderous roar startling the crowds on the first floor as he floundered, stuck because he had taken things a tad too fast. He flailed the one good, muscular arm that had made it partway through his painting, thumping and punching everything in range while people screamed and scurried or blinked with the dumb confusion of animals. One unlucky woman was bashed by his heavy fist and she crumpled to the floor in an instant, but all the while Drivel struggled, and slowly, he began to make progress. The monster still had one heavy hand aimed at Lucien, his clubbed, grabbing fingers reaching so hard for that poppy red hair that was mere inches from his grasp. Ugh, Drivel. That juggernaut of an imbecile; he had no notion of the word, inconspicuous, nor forethought. His sibling, Quid Pro Quo, might have rolled his eyes to the damn moon at Drivel’s display of noise and spittle, if only Quid Pro Quo had eyes to begin with. Instead, there were hints of sockets dug out of his face but little else, and he came from a painting in which he peered around a thin streetlamp with a smile full of serrated teeth that only seemed to grow ever wider. Must he always be the only one of his brothers and sisters to do the smart thing, he wondered? Well at least something good had come from that bumbling ape’s thrashing around the place. It had effectively distracted the crowd, so much so that down the hall and closer to the door, Quid Pro Quo, once his spindly self had slid out from behind the his former street lamp, could gain his freedom too. He was much smarter about the “getting out” part than Drivel was as well. The opening was narrow, and Quid Pro Quo squished his awkwardly long limbs close to his body and crawled his way out—all twelve feet. A man in a dazzling dapper suit almost bumped into him in the process, and Quid Pro Quo, with his unnaturally long and knobby fingers, reached out and grabbed him about the waist before realization could dawn on the poor fool. Let’s switch. Shall we? You for I and I for you, Quid Pro Quo thought as he finally began to stand in the cavernous space of the gallery. His face, so malleable and chalky white, split into a toothy grin that would make a Cheshire cat purr with pride, but he quickly muffled the man’s screams by shoving him into the painting before the threshold between the two spaces closed permanently. A young woman standing nearby--Emmeline--might have met the same fate, if in all his infinite mercy, he did not change his mind at the last second. He merely turned his hollow, invisible gaze upon her and pressed a finger to his wide lips and shining teeth and left her there, to ruminate on what she had seen. Quid Pro Quo’s head twitched on his thin neck; it was his terrible tic, an involuntary spasm in his body that was somehow just as grotesque as the rest of his bony frame. As he heard shouts and shrieks upstairs, he stalked on his lanky, crackling legs toward the door. No one was getting out that way. No sir, not today. He could sense the truth already, long before the rest of these panicking meatbags could; Skewer had taken care of the emergency exits, sealed them shut with his noxious mucus, as solid as cement, and was now shuffling his sneaky self out of sight again before he was seen. And Tinct. Tinct was upstairs, with the only windows, barring any escape from above and serving a greater purpose. They would introduce themselves when they were ready, but for now, Quid Pro Quo hunched down, squatting on his legs and leaning on his knees; he watched the havoc unfold, occasionally grabbing a fleeing man or woman that rushed his way and making an unholy mess of their ridiculously un-flexible, oh-so-breakable bodies. Drivel, that dumb ape, would like that—the crackle of bone as Quid Pro Quo had his fun, but more importantly, sometimes they bled. And Quid Pro Quo knew how much Drivel liked the color red. -Do not post until you have read your required task, which is currently being sent to you via PM.
-It is recommended you do not share your tasks or challenges with others.
-Remember, don't feel bad if you can't complete your task. Posts, quality, IC development, ect, are weighted more heavily; if your character completes a task but isn't acting like your character, there's not much point to it, right?
-Have fun!
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Post by LUCIEN MARGAUX on Sept 12, 2013 17:04:54 GMT -8
tagged: name. time: date & time. notes: notes. He knew what was going to be said one way or another. At least the sentiment, if nothing else. Something along the lines of 'aren't all humans monsters' or 'it's too familiar' or 'monsters wear suits sometimes'. The sentiment was obvious enough before Kun Shui even spoke. It was doubtful that Kun Shui would say anything with real weight to it. Not in public. Anything more right reveal things about him that were better left unrevealed, and there was no way of knowing who was in the crowd around them. Probably there were some cameras, some type of security that would be listening in, and the only things they could talk about were things that didn't really matter in the end.
At least the art was good.
He felt a vague queasiness wash over him, and as Kun Shui opened his mouth he felt the need to vomit. Everything felt wrong. He felt like he was going to be sick, like he was going to pass out, and his heart was fluttering. He couldn't even start to understand it before it was over--but not before leaving him with a vision, a message. It flashed by in a moment, gone in a second, leaving him with the single image of Kun Shui--dead, ripped apart by some monster, a sickening vision that made him want to puke and pass out at the same time.
All things considered, he technically missed the excitement. He wasn't even aware when the monster finally shoved it's way out of the confines of it's painting. He missed it entirely as he fell, barely recovering in time to not crack his head on the floor. Even so it hurt, causing a lance of pain up his left arm, his damaged pinky wailing in pain. Not too much damage--just a rough shock as he'd caught himself on the floor.
It was once he was on the floor, disoriented and in pain, that he saw the monster, jerking away rapidly as the beast slobbered and tried to reach him. It was a thing. Not a human, not an animal, but something horribly in between. If he'd been forced to describe it, he'd have called it a gargoyle--a hulking brute with shiny black skin that was, of all things, trying to reach him.
He could feel something building in his throat--an exclamation, a scream, something, but he shoved it down hard, shoving his good hand to the floor to push himself up as fast as possible, scrambling towards Kun Shui. If nothing else, his upbringing had given him fairly good reaction time under pressure, and 'giant gargoyle trying to take your head off' certainly counted as 'under pressure'.
OoC: Using Random Boost card on Lucien and my second Random Boost card on Kun Shui.
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Post by KUN SHUI WEI on Sept 13, 2013 8:37:18 GMT -8
tagged: Event time: May 16. Noon. speech: kun shui. notes: - - - All things considered, the painting in front of them was awfully drab. There were monsters hidden in sewers and streets, and there was a single portrait that stuck out like a sore thumb against all the rest. Who was this artist, anyways? He hadn’t heard of him quite yet, but he was sure Jun Shi had. If anything, he’d say he wasn’t feeling well (because really, he wasn’t) in about an hour or so, and probably go home with Lucien in tow.
Then, Kun Shui was shot in the head.
Well, not quite shot in the head; at least, not physically, anyways. It certainly felt like he was shot in the head. He had a rather bad headache for a couple days now, but then there was something that seemed to turn the dial up to I-think-my-head-will-explode for no explainable reason. Kun Shui found himself gripping the side of his head with one hand, the other braced against the wall for support as he swore something was clawing it’s way in.
There was still something rational about him, however. He thought it’d go away in just a couple second, or he’d need to be brought to the hospital… Nothing too serious, he hoped. Except maybe it was.
He’d never seen the artist before. He swore he hadn’t. Only maybe he had? He suddenly had an image, clear as day, of Miguel DeTorres, his head bowed over his canvas. The image, dark eyes and faint smiles, put him on edge almost immediately and through the ache, he felt the hairs on his arms rise to points. Stop him. Lucien? What about Lucien? No no, stop him. Poor Lucien. Stop it. Make it stop, right the hell now.
Shoot him. Shoot him dead.
It stopped. For the first time in several days, his mind was clear. He glanced over his shoulder and to hell with that, this was all surreal. There was a monster, a bulldog like brute who had reached out of the painting and was reaching for something. Something?
Find him, and stop it. The monster won’t bother you, will it?
Everything in his head seemed to have narrowed down to that string of thought. Find the painter. Find the goddamn painter, and everything would be okay. Lucien would be safe.
Kun Shui bolted in the opposite direction. He didn’t know where the painter was, what floor he was on; absolutely nothing. Stop it. It wasn’t even rational; he could just find his way out a door or break a window or something.
The funny thing was… he wasn’t even scared. No, it wasn’t quite an inkling of fear, as his brain told him it should’ve been. No, he should’ve been much like the others, screaming and clawing their way out. This was stupid. But ignore it; stop it.
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Post by CANIS MINOR on Sept 14, 2013 13:47:31 GMT -8
It didn’t take very long for the screaming to start.
It started with one shrill, bloodcurdling scream that pierced the air and silenced the background buzz and mumbles. A second passed in silence, bar the large monster that was trying to fight its way out of its prison of a painting, drooling and banging its oversized hands against the white walls, making the gallery shudder and squeal.
Then the chaos unfolded, with people running away, crazed with raw fear. One unlucky lady was struck clean by the monster’s fist, sucking the life right out of her and causing her body to fall to the ground, twisted in wrong ways. It was like a rag doll being thrown to the ground by a little girl who was unhappy with what she had.
Raw adrenaline sped through his veins, and, for one moment, the dark thoughts that had threatened to take over his mind were stalled as his eyes attempted to assess the situation. His thoughts were a great frenzy, frantic and terrified all the same as the blood drained from his face.
His bottom lip quivered. It was happening. Again.
An unsuspecting man had been stilled by fear when he was grabbed from behind by long, spindly arms that creaked. When he disappeared into the painting, he was replaced by a horrible figure, limbs wobbly and toothy grin too wide for its face.
Canis’s heart stopped. He took a step backwards, watching the bodies begin to pile, the spotless white being stained by the splattering of crimson blood. Wordless terror filled his ears, and he pressed his sweaty palms to the sides of his face to block it all out, but it didn’t work. A tear fell from his eye.
No. He wasn’t going to let this happen. He’s lived through these kinds of things before.
He sniffed, swiping at the rogue tear that had fallen, and shook his head. He tried hard to steel his resolve and turned to the police officer behind him. His expression was fixed into a grim mask, his lips pressed into a tight, thin line.
“It’s happening again,” he said, and for a moment, he allowed the old fear to take over him. Memories flooded back into his mind, and for a moment, he couldn’t move, for fear that events would repeat. But he brought himself back into reality by slapping the sides of his face. For her, he told himself.
“We can’t let this happen again. You have to help me.” The gears in his mind were already turning.
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KYOKO SHIOMI
Civilian
LAPD OFFICER
When did a large, monstrous dog start following me?
Posts: 111
MINI INFO - GENDER: Female
MINI INFO - D.O.B.: 23 AUGUST 1985
MINI INFO - OCCUPATION: LAPD OFFICER
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Post by KYOKO SHIOMI on Sept 14, 2013 20:24:42 GMT -8
Was this really - Again? There was a mild fear gripping at Kyoko's chest, as the first scream reached her ears, and she couldn't even bring herself to look - it couldn't be good, anyways. She could hear the noises, and she didn't dare. Because if she did, she knew that she would want to help the, try to sacrifice herself. And it wasn't as though she didn't want to do that now - she really wanted to help them. But that event with the undead rats from two weeks ago? It had steeled her heart against things like this, and the only thing she could feel at the moment was at least six levels and irritation, annoyance, and exasperation oozing off her. This was like the giant zombie rats, only she had no idea what she was going up against and didn't particularly want to know.
But Kyoko knew she'd have to face it either ways. In fact, it was probably better for her to at least get a visual of what she was probably going to have to go up against. Ugh, she didn't want to look though. She really didn't. But she looked anyways, and cringed. These creepy monsters coming out of weird creepy ass paintings that were by some creepy weird ass artist. She wasn't taking any of this shit right now. In fact, right now, she let out some color language in Japanese right now. "Are you fucking with me, are you really fucking with me right now?" It was okay to say it in front of the kid, unless he had suddenly learned Japanese swearing in the span of two weeks.
But her main concern right now was Canis. Sure, there was some gargantuan arm coming out of a painting and - do her eyes deceive her - yet another one coming out of another painting, but there was no way in hell she was letting that kid go through something so terrible again. He had gotten out healthy, alive, but traumatized. Her goal right now was to get him out healthy, alive, and kill those creepy monsters before they laid a hand on him. And so without another word, she whipped out her gun and shot at the arm, then at the scary knobby skeletal creature. trying not to hit civilians while she was at it. She was off duty, but when had that even started to matter? The people down at the station didn't care, and Kyoko didn't dare go anywhere without her gun ever since that day. And so she found herself semi-prepared for this moment.
She tried to ignore the dead bodies, the blood, the things she would have stared at in absolute horror if she weren't so hellbent on keeping Canis safe right now. But that wasn't the only thing on her mind. She could hear the screaming, coming from in front of her and behind her and... And above her? Oh dear god, there were people up there too?!
But she couldn't think of these things all at once. Kyoko needed to think this through, slowly and steadily. Besides, something had been nagging her for a little while. There had ro be a reason why these things were suddenly coming out of paintings now, and it had to have something to do with this gallery. Or something like that, something here was triggering this. But she didn't know what, and she didn't know why she was thinking this. She just needed to find whatever it was and stop this madness. And from what she saw of the gallery as it was so far, the first floor was not where it was. She was here now, she had already seen the things the gallery had to offer down here and she needed to go upstairs because god forbid there were monsterous beings up there too.
But she could not leave the boy alone. "You, don't you dare leave my side." She needed to get upstairs, like hell if she was leaving Canis down here, she was taking him, whether he wanted to or not. But first she needed to clear a path to the stairs and up to the second floor. Something was there and that sometime she was going to find. She also very much wanted to kill these monsters, so she was a little glad she had her gun with her, and some backup ammunition in her purse. It might just be a little difficult and time consuming to reload. "Watch your back, and you are coming with me. We're going up. Maybe there are windows up there or something. We might be able to get out." But that wasn't the real reason.
And she had monsters to shoot.
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Post by EMMELINE EVANS on Sept 16, 2013 10:51:18 GMT -8
| rabbit - hearted I look around, but I can't find you If only I could see your face Instead of rushing towards the skyline I wish that I could just be brave I must become a lion hearted girl Ready for a fight Before I make the final sacrifice We raise it up, this offering We raise it up This is a gift, it comes with a price Who is the lamb and who is the knife? Midas is king and he holds me so tight And turns me to gold in the sunlight And in the spring I shed my skin And it blows away with the changing wind The waters turn from blue to red As --- Allison would have come, she kept telling herself. The thought was always followed with the reasoning that her new friend had better things to do—she was an internet sensation after all, she’d have episodes to plot out and film and upload. . . she didn’t have time to spend all day at some free art gallery. Emmeline was pretty close to leaving already—the crowd was too much, she was being jostled, and the paintings were creepy. A lot creepier up close than they had been in pictures on the web. They were good. . . but creepy.
She lingered for a second to look at one picture in particular. It was strange—she could have sworn she’d seen something moving in it. She squinted and got a little closer—yes, there was something moving. It was unmistakable. Emmeline placed her hand over her mouth and backed up just a bit, eyes going wide, when whatever was moving just. . . .
Burst out of the painting.
A scream caught in her throat and she stared at the creature. It was undescribeable—long limbs, claws, teeth, it looked like some sort of mutated stick bug, maybe. Her eyes were wide as saucers as she just stared at the thing, mouth gaping. Without realizing it, tears had started to fall from her face. This didn’t happen—it couldn’t be happening. There was no way—she’d finally gone crazy. She was having some sort of episode. A side effect from her medication—no, no this wasn’t a side effect.
The beast extended its spindly arms and fear gripped Emmeline’s chest—right for her. It was going to get her. She had nowhere to run—she was a rabbit in a trap, a deer caught in headlights. Everything was moving too quickly, but it had slowed to near slow-motion at the same time. This was it—the end—finally, the world would be rid of her—
Some screaming man was snatched up in her stead. He ran directly in front of her, trying to escape, and the creature grabbed him. A film had covered Emmeline’s head—everything sounded garbled, as if she was under water. She could barely make out the screaming coming from the man or anyone else, and the monster threw the poor man into the painting it had come from and it slithered out, as if it had needed someone to take its place in the painting before it could make its way out. Realization crept through Emmeline—that could have been her, trapped in a painting forever.
Then, the beast turned toward her.
Shoulders tensed, heart stopped, and a shudder ran through Emmeline. This was surely it—but no, the monster just made a shushing gesture and went about its merry way. Emmeline followed the beast with her eyes, and then the trembling started. It began from deep within her gut and radiated out toward her extremities. It threatened to take her to her knees. Her head buzzed as if it was full of bees and her vision blurred—she knew this sensation. She was going to pass out.
No.
Not with monsters running around.
Though she shuddered and trembled like a dying leaf, she put a hand to her head and closed her eyes tight enough that little white spots erupted behind her eyelids. There was no time was passing out. She had to hide, she had to get out—there was a lot of thing she had to do. The place was in a panic, and so was she. Her voice was caught, and it took all of her willpower to move forward, but she did.
She hadn’t gotten far from the refreshment table. It was the first place she flew—on her hands and knees she went, skittering under the table like a frightened little mouse, legs curled up against her chest, tears streaming silently down her face, accompanied only by the occasional sniffle. Emmeline ducked her head slightly to see out from under the table cloth, watching legs rush past. That film had finally been removed and all of the sights and sounds came rushing back to her like a wave, smacking her and making her tremble worse.
Something caught her eyes, then shattered her eardrums.
A gun. Someone had a gun.
Her fear-sharpened eyes scanned the room until she spotted a lady with a gun, firing at the monsters. She looked authoritative, and there was a small child with her. Hope blinded her from everything else—the blood, the bodies, the sightless pair of eyes staring at her from across the room—and she got up so fast that she smashed her head against the table. Platters and plates clattered up top and a few came crashing down in front of her.
That was when she let out one of her first screams.
But wait—no she had to hurry. Gun lady was heading out—moving. Eyes wide and dead-set on her only hope for surviving this, she grabbed one of the trays and held it against her chest. If anything, she could use it to protect herself. She had to have something to grasp on to, anyway. She clambered out from under the table and made a bee-line for the woman.
“Wait,” she called, voice hoarse from the sobs stuck in her throat. She reached out toward the woman with a gun, legs unsteady under her. She maneuvered ungracefully around bodies and a crowd of people rushing for an exit. Several times she lost her footing, and already she was panting as if she had run a marathon—she was terribly out of shape. Emmeline kept her eyes on the gun—the only way she would recognize this lady. If she lost her in the crowd, that would be it. She would never find her again if she couldn’t reach her now. “Please—Please wait—”
Finally, she found her voice. It came out as a desperate sob, but it was loud, and hopefully she was close enough for this gun-lady to hear her. “Miss! Miss take me with you! Please!”
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Lucien + kun + Canis + Kyoko • 1019 • May 16, 2013 • THANKS ♥
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EVENTS
UNKNOWN ENTITY
Reasons Have No Meaning
Posts: 51
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Post by EVENTS on Sept 16, 2013 14:06:32 GMT -8
| | | The Stroke of a Master’s Brush
Drivel beat his one free fist against the floor in frustration, that thud of force almost cracking through the hard surface, but the sound virtually drowned in shrieks and stampeding bodies. He didn’t like it. That pretty Red had moved too fast and now Drivel didn’t have a single strand of red hair to show for all his efforts. He thrust his arm back up from the floor to reach for Lucien again, not quite understanding why his limb wasn’t listening to him. Why wouldn’t it grab? ( Imbecile, your arm only stretches so far, Quid Pro Quo thought as he watched.) Then the bang happened, the sound exploding through the gallery, amplified by some of the cavernous space, and Drivel turned his head. His eyes peered down the hallway in wonder as a minor twinge of pain consumed his arm; a bullet had pierced his skin. But instead of bleeding and screaming in rage, Drivel blinked, a rope of drool sliding from his bottom lip and plopping quietly to the floor. He glanced back at his arm, then up again. Down, up, down, up, down again. Slowly, Drivel’s dark skin around the wound seemed to ripple, as if it were wet. Then it sucked in the bullet like quicksand, covered the hole, and the wound disappeared entirely. He could not forget that prick of pain though, and angrily slammed his arm against the floor a few times because of it. Why. Wouldn’t. It. Listen? And now it hurt momentarily for no reason?! Stupid. Arm. That should teach it. Satisfied, he resumed his raging. His long claws scraped the floors and gouged deep rivets as he pulled. He spat and huffed and puffed and kicked and then—finally!—his trapped shoulder popped through the painting, and with it, his other arm. His bright, glowing eyes blinked in dumb shock as his balance pitched forward. He collapsed right into the gallery, confused. It took a few seconds to stand again, his massive body hunched forward on his powerful knuckles like some perverse silver back gorilla, only larger, and arguably dumber. Then, by stroke of luck, he looked to one side and saw it: Red! Right on cue, Drivel opened his mouth to roar in triumph; he rushed after Red (and that human that Red seemed to be following) but was slowed considerably, stuck in a mob of people all shoving and pushing at one another as they tried to get to the stairwell. Drivel pushed back of course, parting their swarm by force, but it was stealing precious time from him. This was everyone's chance to hide or gain more distance. People seemed to learn, very quickly, that the front door was not an option when it came to escaping. That was good; Quid Pro Quo didn’t want to start dismembering things too to get his point across. He began to build a crude line of broken bodies to block it off though, propping them against the front doors as if they had just gone to sit down and had slumped over, fast asleep. Many of the corpses had been trampled by other humans, actually. It was slightly fascinating to him that they were causing more damage to their own kind than he was. At least Quid Pro Quo had the decency to recycle their wasteful deaths by turning them into an imposing—if not potentially traumatizing—group of macabre sentinels that guarded the exit. Anyone that tried to go this way would have to shove them out of the way—after getting by Quid Pro Quo, of course. The monster kept glancing wearily over his shoulder toward Drivel and his stupid predicament (the stupid part could not be fixed unfortunately), but Quid Pro Quo would not step too far from his position. He was ordered to be here. And thus, he could not help his sibling. He did, however, peer curiously over the crowds when he heard the first gunshot. Seconds later, a second bullet almost pierced his face and crashed through his teeth; it was to his credit that his limber body shifted to the side, and the bullet lodged in the wall instead. His empty eye sockets stared at it quizzically, before he twisted around again, to stare at the woman. Nice try, he wanted to say. But he couldn’t. His face was split in that permanent, stomach churning smile of teeth. The throngs of people were beginning to thin out though. Some were heading upstairs. Others were gathering in corners or at the end of corridors, unable to go anywhere. Nevertheless, Quid Quo Pro stayed put, only his neck bones crackling as his head twitched with his terrible tic. He had his orders, and he would stay right here. Right here, yes, at the only, unsealed exit. But it had him for a guardian, and that had to count for something. Meanwhile, a streak of color scuttled through a nearby painting, so quick it might not have been noticeable. It was racing, jumping from painting to painting, shadowing Kyoko and the young boy, its eyes burning with angry purpose. And now there was someone else too: Emmeline. It would let them progress a while further; but the entity wouldn’t stay hidden for very long. It could sense that the older woman in particular, might be a problem.
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Post by LUCIEN MARGAUX on Sept 16, 2013 14:29:00 GMT -8
tagged: name. time: date & time. notes: notes. It would have been a useful piece of information, to know that the bullet had hit the hulking gargoyle, but that it had been eventually been rendered completely ineffective, beyond it's use as a distraction. Unfortunately Lucien wasn't looking back at the monster. He was trying frantically to keep up with Kun Shui, terrified of being left behind. Some people had gone to the windows and doors, but from the screams and banging, he could only assume they were locked. That left the stairs, and plenty of people were piling towards them, frantically trying to get away through another way. If he'd gotten to choose, he'd have taken the stairs as well, but for the moment Kun Shui was simply running, putting distance between them and the still trapped monster.
Soon they ran out of space though, and Lucien wasted no time in tugging on Kun Shui's sleeve. It was a strange gesture between them, the sign of a friendship they didn't really have, but with a massive gargoyle coming after them, Kun Shui would have to deal with it. They had to get upstairs to the painter. That was the only thing that mattered for the moment--not how Lucien was acting at all.
"Upstairs. The painters upstairs." He forced out, trying not to pant. He wasn't just running--he was pushing himself, running far faster then he normally would have, and his legs were screaming. To say the least he was far from athletic, and while he was fit, that apparently wasn't going to be enough as they bolted towards the stairs.
There was an even louder noise then usual of flesh hitting the ground, and he spared a glance towards where the monster had been stuck. It was out. How it had fit he had no idea, but it had. It had forced itself through the opening, and now it was coming for him.
Shit.
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